![]() ![]() ![]() The organizing goal of this volume is to highlight these theoretical considerations and provide a forum where art historians of the ancient and medieval worlds can explore these problems of cross-cultural interaction with greater rigor. As a result, many of those who work in the arts and cultures of the Mediterranean, Near East, and Asia have found themselves drawn closer together, but without a common vocabulary or debate with which to engage. SCHOLARSHIP ON THE VISUAL CULTURES of ancient and early medieval Eurasia has recently benefited from art history’s renewed interest in questions that transcend political and cultural boundaries.1 Issues of cross-cultural interaction, however, have not enjoyed from art historians working on the ancient and early medieval worlds a level of critical attention commensurate with the number of problems arising from the material. ![]()
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